I love the views from my apartment, especially the morning shadows. This kitty loves to sit in the window.
I love the views from my apartment, especially the morning shadows. This kitty loves to sit in the window.
I love the elevated train stops because you get such a high, wide view of the city.
You can get it all here on Fresh Pond Road in Ridgewood (formerly Brooklyn, now Queens) from clean shirts to fresh fish.
I wasn’t sure if this guy was homeless, but he had a lot of clothes and other items inside some of his plastic paint buckets. Being homeless didn’t stop him from showing up every day, carrying all his stuff, and making music.
Another cozy, romantic New York bar bites the dust.
I came across these two well-dressed gentlemen several times during an evening of gallery hopping called “Just off Madison” (billed as an Open House of American Art at Private Art Dealers) on the Upper East Side.
I love this guy! He’s amazing.
The New York art world is a far-reaching network of secrets and sham, buying and selling, and of course, schmoozing. As a New York artist who schmoozes once in awhile on a small scale, I decided it was time for me to schmooze at the high end of the art world and attend an American Art auction at the world-famous Sotheby’s. I was escorted on first visit by a very informed collector of American Art.
Located on the Upper East Side, the 490,000-square-foot Sotheby’s has a good looking, but not overly grand facade. Walking through the revolving doors and into the large foyer, a guard greets you warmly. The space is clean and minimal and feels elegant. There is a sleek and polished Ferrari, regally displayed on a round pedestal (for an international Ferrari auction to be held soon.) Sotheby’s Wine store is also in the lobby. It has the look of a walk in wine cellar, its neat rows of wine are displayed elegantly. According to Decanter magazine (seems like a reliable source) Sotheby’s full-service store offers “a range of fine wines at competitive prices, from $13.95 to $40,000 per bottle.” Yikes.
Potential art collectors are offered “the resources of Sotheby’s Financial Services” because, frankly, you’ll have to refinance your house to pay for this art. It’s fair to guess that when bidding starts at $80,000 it’s not coming home with me. But I didn’t come to bid. I came to behold. We had prepared by stopping by the day before to check out the collection for today’s auction. This morning, we arrived a half hour before the start of the auction and even got a bid number. We headed up to the seventh floor, where a pretty diverse, but sparse group was seated in the auction room. Apparently, I thought, there’s not a lot of interest in American Art right now. But then I learned that you can decide which art you want to bid on and come later, so you don’t have to sit through the whole thing. We picked up some free coffee and a scone from the food cart outside the auction hall. Seated next to some new friends we had met the day before, we browsed the catalog. There must be a lot of people with money to burn. Earlier this year, a Basquiat painting sold here at auction for 110 MILLION DOLLARS.
I had wondered earlier if I should dress up. Heels? Maybe nylons? (except I didn’t have any.) This is Sotheby’s. It’s the Upper East Side. Deciding that anything I picked wouldn’t measure up, anyway, I dismissed the idea in favor of my usual ‘Arty’ Look – black jeans (because that’s all I really own.) It ended up being a good call, as this crowd was definitely casual. Except for a couple guys in suits, it could have been a movie theater crowd. A few baseball caps, a construction worker type guy, a row of neatly dressed Korean students with notepads and pens, and a guy who I was pretty sure I had seen outside earlier asking for spare change. People you wouldn’t suspect may have deep pockets – or the ability to re-finance. The hall was not particularly large. On either side of the podium were phone banks, like the Jerry Lewis Telethon. The phones were landlines with curly cords. People were already on the phones, preparing, ready to place bids for their customers on the other end. Exciting!
The auction began precisely at 10 a.m. The young auctioneer (in a suit and bow tie) took his place behind the podium. “Good morning, ladies and gentlemen.” A painting was displayed on screens above and to his left. The less expensive watercolors went first, taking up an hour or so, before moving on to the more desirable oils. The good stuff comes out. “Lot number 108. Bidding will start at $80,000,” he announces casually. Now the phone bank begins to heat up, all in communication with their buyers. “Bid!” says one, raising her hand. She was outbid, raises her hand again. An internet bidder from who-knows-where was outbidding her. Taking a cue from her buyer, she demurs from further bidding. $95,000… $125,000… $155,000. At this point, the bidding begins to slow down. The auctioneer surveys the room. “I can sell at one hundred and fifty-five thousand.” He says dragging the words out slowly, firmly, looking from one side of the room to the other. “Last chance.” Glancing toward one of the telephone bidders from whom he senses interest, he asks gently, “Terry, can we make it a round number?” Terry smiles, curly cord phone to her ear and her hand covering the mouthpiece, listening intently. Then she raises her hand, pointing upwards. “160,000!” he says with delight. “Do I hear $165? $165……fair warning…” and with aplomb, he raises his arm, gavel in hand, and with the distinctive crack of the wood he pronounces it “SOLD for $160,000! Thank you, Terry. Our next item for bid..”
The year my dad moved out, my mom gave me one pair of wool pants for Christmas. Of course, being a kid, I was utterly disappointed, but I figured we didn’t have much money. I didn’t want to be ungrateful. We lived in a small, old house on a block with other old houses. There were only a couple other kids who lived in the neighborhood and since I was too shy to join their games, I played by myself. I had my own bedroom and the bathroom was in the basement, which always seemed very chilly. It had a little square shower. I found it too creepy though, because I saw centipedes there once.
Being an only child was unusual in the small catholic school I had to attend. I was pretty sure the nuns hated me because I came from a single parent home. Divorce was a sin and my mother the sinner. Thus, I was also. I admired kids who had two parents. Mary lived on the other side of the tracks, where the professors at the university rented big, beautiful homes. She was one of 7 children and her dad was a successful owner of a foundry. He seemed to be home a lot, reading his paper and actually laughing and conversing with his kids. There were cookies and milk in the kitchen after school and her mom wore one of those crispy aprons with bright red apple designs on it. She was like June Cleever. I loved going over after school, even though it meant a couple mile walk back home. My mom wasn’t waiting with cookies when I got home. She left for work at 6 in the morning and got back around 4 and was very tired. I was alone most of the time. I would pretend I had lots of brothers. We all watched tv and talked and laughed.
Some people avoid being alone, but I’m used to my own company. I play well with others but I’ve convinced myself that I like being alone just fine, thanks. The art of aloneness is well played here in New York and is normal. Some days, though, I’m convinced everyone in the city is paired up. I saw two rats meandering down the F train rails together yesterday…even the rats here have significant others. A great irony about living in New York is feeling so distant when there are six million people all around you, like a Hopper painting where lonely, isolated souls seem to search for a sense of connection. Earlier this summer I was walking through Washington Square Park, an urban oasis with street musicians, jugglers, mimes, people spray painted to look like statues. A saxaphone player and a guy with a small set of drums set up on the edge of a wide sidewalk and started playing. Heads turned. People stopped. Some sat on one of the many benches that line the walk, some talked with each other, with strangers. For a brief time, none of us was alone, we had a community and a connection. After awhile, people wandered off for some other places, new people drawn to the music became a part of the little tribe.
New York has many monikers: Big Apple, The City That Never Sleeps, The City So Nice They Named It Twice. It’s also been called The Lonely City. It can be. But it can also challenge you to look for and accept the many possibilities for connecting with strangers. I’ve been doing this alone thing for a long time. I’ve discovered this is the perfect city for it.
Couldn’t resist this cute place. Just as I snapped the pic, this guy walked by. He was perfect for this illustration.
Washington Square Park usually has some kind of music. These guys set up on the path one summer day and played a long set.
I got an email from someone in Minnesota the other day about driving in the Twin Cities. He sent an article on road construction and the art of merging from two lanes to one. I laughed out loud, remembering the scourge of the Minnesota driver. “Remember the zipper merge,” the article states. “Use both lanes until it’s time to merge.” This means nothing to a Minnesotan. We have our own system – The Minnesota Merge. Use both lanes until its time to merge means MERGE NOW!! Slam on your brakes, wait for a space, and sidle over into the other lane.
Starting at birth, the article goes on, Minnesotans are conditioned to be passive aggressive. Indeed, the zipper merge hasn’t caught on because it appears as if Driver A, by merging, is breaking some unwritten societal rule, and Driver B, who should allow the merge, displays his disapproval of this by not letting Driver A into the lane. It’s all completely understandable to people who grew up in this state.
Visitors to Minneapolis quickly find out that people drive kind of crazy. Another of many unstated rules: “If 30 mph is safe, then 25 is safer!” You creep down the street behind someone like this, and as you approach the intersection, the signal turns yellow and that horse and buggy that was going 25 suddenly floors it and zips through the light. And there you are. There isn’t the degree of honking that there is here in New York, but I don’t think that would make a difference. Minnesota drivers don’t think they’re doing anything wrong.
I’ve driven a bit in New York. Frankly, I like the aggressive stance most people here take. Maybe I’m a New York driver at heart. Driving in downtown Minneapolis traffic, I was aware of the large gap people leave between cars. “Mind the gap, people!!” I’d scold (in the safety of my own car). “Let’s go here!” The gap here in New York can be, oh, 6 inches. Not particularly safe, I agree, but we have to get someplace and of course, didn’t allow ourselves enough time to do it. I am a fan of cars, but I do love the fact that here in New York, lots of people don’t even own one, or for that matter, know how to drive. I can’t picture myself never driving again. I still have my little car, parked in Minneapolis, and when I go back I love the solitude of driving. My coffee, a snack, and my music, which keeps me sane and helps me cope with even the dumbest drivers. By the way, have you ever noticed when you’re going the speed limit it’s a good thing, but when the car in front of you pokes along at the posted speed, he’s an idiot? No, I haven’t either. It’s all good…
The news is making me crazy lately. Apparently it’s affecting other people too, because lately I see a lot of women dressed as clowns. At least I think they’re clowns, I can’t be sure. They seem self assured and they don’t have clown hair, but there’s something about them…it’s a fashion thing.
I remember in the 60’s, our bell bottom pants were so long they’d get caught underneath our platform shoes, causing some nasty headers (not that I would know.) The new clown lady bell bottoms are very, very – extremely – wide, and they’re short. It’s rude to stare, which is why I always wear sunglasses on the train. I saw one of the clowns yesterday. She was standing, as the train was crowded, which gave me a perfect vantage point. Even the most delicate and beautiful ankle appears scrawny and pale in these short, billowy trousers. And insult to injury, they’re always paired with ankle boots or even dress pumps. If these pants could talk they’d scream, “This is just wrong!” Do I sound old and crotchety?
There are so many, um..unusual ways of dressing here in New York. That’s a great thing about this city. Seventh Avenue (Fashion Ave) is right here. I see hundreds of people every day, and I do appreciate self expression through personal attire, tho I mumble snarky stuff (to myself) like, ‘geez, what the hell is that?!’ which old people have been saying forever. I bet Aristotle muttered about kids and the provocative drape of their garments. Every year, new, totally unaffordable and unwearable fashions are paraded out and we (and by we I mean women) toss last year’s Salmon Bisque Pink for this year’s Kelp Green because someone on 7th Avenue said so. And being the age I am, I’ve seen a lot of fashion comings and goings: shoulder pads, leg warmers, fanny packs, Qiana. They all come back again. (Tho I’m skeptical about a return of Qiana.)
No one would mistake me for a fashion icon. I wear stuff I had in high school – and I’m old. I was afraid of the New York fashion scene when I arrived here a couple years ago. I thought the whole city would be totally tricked out, but that’s not the case. You can find everything here, but you don’t have to dress up and most people don’t. As long as it’s black, you’ll fit in. Due to my fortunate love of black and the fact that everything in my closet is black, I’m a real New Yorker.
I’d suggest this mumbling is probably because I don’t dress fun anymore and I really wish I could. I think when you’re over a certain age, you just look kind of nuts when you wear kooky clothes. Trends wax and wane, I will continue to stare and mumble, wearing my skinny black jeans when those in the know advise me to wear clown pants.
Visiting the Natural History Museum with a friend last week, I had to wonder: Is it me or are we all captivated, but slightly creeped out, by elaborate dioramas of long-dead, endangered, animals, posed in an imagined setting? I remember wondering as a kid, “How did they die? Was it painful? Were they caught unaware? Did their eyes meet those of their killers?” All these animals had lives, families and daily routines. Maybe the zebra was hanging around enjoying some arid grassland with his friends, and.. BAM!! His life was over, just like that.
I have a mix of appreciation and innate sadness walking among the formerly alive. The many habitat dioramas, with beautifully painted backgrounds, plant life and extraneous birds and bugs are credited to Carl Akeley, a 19th and early 20th century taxidermist/expeditionist, who came to work at the museum in 1909. Ironically, he created the displays to promote the conservation of those species that he’d killed and placed into the dioramas. My friend liked to visit the large elephant display whenever she came to the Museum, so we headed to the Akeley Hall of African Mammals. The elephants are posed, according to Wikipedia, in a “characteristic ‘alarmed’ formation.” Maybe some vile expeditionist was in sight. Two of the elephants were donated by Akeley’s fellow hunter, Teddy Roosevelt, one a baby calf shot by his son.
The Museum is a massive, rambling and meandering space, a beautiful and eclectic mixture of architectural styles. It is definitely a place most New Yorkers have been to, at least once. My friend and I spent the afternoon wandering, but eventually feeling a little sad, and satiated with elephants and bison, we longed to see something that was still alive and get out into the New York sunshine. Sadly, I do like the beauty of the displays, but find it hard to think about the misery it took for them to get here. Like they say about sausage…if you like eating it, don’t visit a sausage factory.
We headed out onto Columbus Avenue, into the warm sun, and bustling crowd of living creatures.