I wasn’t sure if this guy was homeless, but he had a lot of clothes and other items inside some of his plastic paint buckets. Being homeless didn’t stop him from showing up every day, carrying all his stuff, and making music.
I wasn’t sure if this guy was homeless, but he had a lot of clothes and other items inside some of his plastic paint buckets. Being homeless didn’t stop him from showing up every day, carrying all his stuff, and making music.
Another cozy, romantic New York bar bites the dust.
I came across these two well-dressed gentlemen several times during an evening of gallery hopping called “Just off Madison” (billed as an Open House of American Art at Private Art Dealers) on the Upper East Side.
I love this guy! He’s amazing.
I try not to be impatient (ok, who am I kidding..) but geez, It’s crowded here.
With so many people in this city, we have some unwritten ‘rules.’ Train etiquette, for example. No smelly food. No stopping at the top of the stairs to see where you are..get outta the way. And Stand Clear of the Closing Doors, for gosh sake. The same for sidewalk etiquette. Don’t come to a dead stop to check your phone. No texting while walking. Scooters only allowed from 1-3 pm (so that’s not a rule but it should be.) Sidewalks need lane markers – cellphone lane, scooter lane, tourist lane – but until city works steps up, how about some common sense? My old Minneapolis neighborhood, with brewpubs and artist studios, usually felt pretty deserted; an old man with his old dog, a mail carrier, perhaps…a couple cars. We don’t need sidewalk lanes. NYC is very different, no matter what the time of day. In the morning, shopkeepers greet each other, sweep their sidewalks and get ready for the day, the sidewalks are full of business people, there are a few souls just getting home from the night before, taking the walk of shame. Lots of parents walk their kids to school, too, which I like to see, but on these morning walks, I’m always leaping aside for them as they spill over the entire walk. Granted, the sidewalks are narrow in places, but as parents we teach our kids manners. How’re they gonna learn? Like, “stay to the right.” It’s important to learn that stuff when you live in a big city. I mean, why should I walk into a tree because an entire family, including two kids on scooters is taking up the whole sidewalk? What if I walked around with a huge, open umbrella and everyone just had to get the hell out of my way?
No question about it, growing up in New York has to be great: The Met, Central Park, Brooklyn Bridge, The Bronx Zoo. And unlike kids who live in the suburbs of flyover land and get chauffeured everywhere, New York kids learn how to cope with adversity and make smart decisions. They’re not afraid. They learn important life skills (like how to give detailed subway directions to tourists, or where to get the best street food.) New York kids, in general, are cool. New York parents…well, sometimes overindulgent and hesitant to hand out all-important life lessons so as not to dampen their child’s imagination. Last week I was headed down the stairs in the subway, eager to make my train, behind an over-eager parent using this moment as a learning experience – letting her toddler walk down the stairs during rush hour (which, in New York, is pretty much all the time). With mom holding her hand, this little girl in her cute flowered leggings was trying hard to reach her plump little leg down to the next stair, and, of course, a line of people had formed behind her. I mean, as a parent myself I ask, wouldn’t you notice that!? Sneaking down the left side of the stairs wasn’t an option – a throng of commuters was hurriedly heading up. ‘Good job, Madison!’ (Kids here all have unusual names.) Madison makes it down and her mother gets the side eye from those of us who were detained for the last 10 minutes (ok, 3).
As an aside, I might mention that my now grown daughters were wonderful, well mannered children. People told me that after meeting my girls, they decided to have kids, assured that children are cool and wouldn’t completely ruin their lives. We taught our kids that their behavior impacts other people. We taught empathy: you wouldn’t like it so don’t kick the backs of seats in front of you; hold the door open for others; and, stay to the right so you don’t take up the whole sidewalk. Gotta teach ’em basic rules for living in the city.
I admit that with all the lines and the crowds, this city really does run amazingly well. There will always be toddlers walking down subway stairs, and there will always be people who insist on walking on the left of the sidewalk. To that end, and to help the city run smoothly, I believe someone (that would be me) ought to keep order when I’m able. “Stay to the right!” I instruct those drifting into my lane. My teachable moment. Of course I try hard to smile and not scold, because, y’know, maybe they were never taught.
The New York art world is a far-reaching network of secrets and sham, buying and selling, and of course, schmoozing. As a New York artist who schmoozes once in awhile on a small scale, I decided it was time for me to schmooze at the high end of the art world and attend an American Art auction at the world-famous Sotheby’s. I was escorted on first visit by a very informed collector of American Art.
Located on the Upper East Side, the 490,000-square-foot Sotheby’s has a good looking, but not overly grand facade. Walking through the revolving doors and into the large foyer, a guard greets you warmly. The space is clean and minimal and feels elegant. There is a sleek and polished Ferrari, regally displayed on a round pedestal (for an international Ferrari auction to be held soon.) Sotheby’s Wine store is also in the lobby. It has the look of a walk in wine cellar, its neat rows of wine are displayed elegantly. According to Decanter magazine (seems like a reliable source) Sotheby’s full-service store offers “a range of fine wines at competitive prices, from $13.95 to $40,000 per bottle.” Yikes.
Potential art collectors are offered “the resources of Sotheby’s Financial Services” because, frankly, you’ll have to refinance your house to pay for this art. It’s fair to guess that when bidding starts at $80,000 it’s not coming home with me. But I didn’t come to bid. I came to behold. We had prepared by stopping by the day before to check out the collection for today’s auction. This morning, we arrived a half hour before the start of the auction and even got a bid number. We headed up to the seventh floor, where a pretty diverse, but sparse group was seated in the auction room. Apparently, I thought, there’s not a lot of interest in American Art right now. But then I learned that you can decide which art you want to bid on and come later, so you don’t have to sit through the whole thing. We picked up some free coffee and a scone from the food cart outside the auction hall. Seated next to some new friends we had met the day before, we browsed the catalog. There must be a lot of people with money to burn. Earlier this year, a Basquiat painting sold here at auction for 110 MILLION DOLLARS.
I had wondered earlier if I should dress up. Heels? Maybe nylons? (except I didn’t have any.) This is Sotheby’s. It’s the Upper East Side. Deciding that anything I picked wouldn’t measure up, anyway, I dismissed the idea in favor of my usual ‘Arty’ Look – black jeans (because that’s all I really own.) It ended up being a good call, as this crowd was definitely casual. Except for a couple guys in suits, it could have been a movie theater crowd. A few baseball caps, a construction worker type guy, a row of neatly dressed Korean students with notepads and pens, and a guy who I was pretty sure I had seen outside earlier asking for spare change. People you wouldn’t suspect may have deep pockets – or the ability to re-finance. The hall was not particularly large. On either side of the podium were phone banks, like the Jerry Lewis Telethon. The phones were landlines with curly cords. People were already on the phones, preparing, ready to place bids for their customers on the other end. Exciting!
The auction began precisely at 10 a.m. The young auctioneer (in a suit and bow tie) took his place behind the podium. “Good morning, ladies and gentlemen.” A painting was displayed on screens above and to his left. The less expensive watercolors went first, taking up an hour or so, before moving on to the more desirable oils. The good stuff comes out. “Lot number 108. Bidding will start at $80,000,” he announces casually. Now the phone bank begins to heat up, all in communication with their buyers. “Bid!” says one, raising her hand. She was outbid, raises her hand again. An internet bidder from who-knows-where was outbidding her. Taking a cue from her buyer, she demurs from further bidding. $95,000… $125,000… $155,000. At this point, the bidding begins to slow down. The auctioneer surveys the room. “I can sell at one hundred and fifty-five thousand.” He says dragging the words out slowly, firmly, looking from one side of the room to the other. “Last chance.” Glancing toward one of the telephone bidders from whom he senses interest, he asks gently, “Terry, can we make it a round number?” Terry smiles, curly cord phone to her ear and her hand covering the mouthpiece, listening intently. Then she raises her hand, pointing upwards. “160,000!” he says with delight. “Do I hear $165? $165……fair warning…” and with aplomb, he raises his arm, gavel in hand, and with the distinctive crack of the wood he pronounces it “SOLD for $160,000! Thank you, Terry. Our next item for bid..”
The year my dad moved out, my mom gave me one pair of wool pants for Christmas. Of course, being a kid, I was utterly disappointed, but I figured we didn’t have much money. I didn’t want to be ungrateful. We lived in a small, old house on a block with other old houses. There were only a couple other kids who lived in the neighborhood and since I was too shy to join their games, I played by myself. I had my own bedroom and the bathroom was in the basement, which always seemed very chilly. It had a little square shower. I found it too creepy though, because I saw centipedes there once.
Being an only child was unusual in the small catholic school I had to attend. I was pretty sure the nuns hated me because I came from a single parent home. Divorce was a sin and my mother the sinner. Thus, I was also. I admired kids who had two parents. Mary lived on the other side of the tracks, where the professors at the university rented big, beautiful homes. She was one of 7 children and her dad was a successful owner of a foundry. He seemed to be home a lot, reading his paper and actually laughing and conversing with his kids. There were cookies and milk in the kitchen after school and her mom wore one of those crispy aprons with bright red apple designs on it. She was like June Cleever. I loved going over after school, even though it meant a couple mile walk back home. My mom wasn’t waiting with cookies when I got home. She left for work at 6 in the morning and got back around 4 and was very tired. I was alone most of the time. I would pretend I had lots of brothers. We all watched tv and talked and laughed.
Some people avoid being alone, but I’m used to my own company. I play well with others but I’ve convinced myself that I like being alone just fine, thanks. The art of aloneness is well played here in New York and is normal. Some days, though, I’m convinced everyone in the city is paired up. I saw two rats meandering down the F train rails together yesterday…even the rats here have significant others. A great irony about living in New York is feeling so distant when there are six million people all around you, like a Hopper painting where lonely, isolated souls seem to search for a sense of connection. Earlier this summer I was walking through Washington Square Park, an urban oasis with street musicians, jugglers, mimes, people spray painted to look like statues. A saxaphone player and a guy with a small set of drums set up on the edge of a wide sidewalk and started playing. Heads turned. People stopped. Some sat on one of the many benches that line the walk, some talked with each other, with strangers. For a brief time, none of us was alone, we had a community and a connection. After awhile, people wandered off for some other places, new people drawn to the music became a part of the little tribe.
New York has many monikers: Big Apple, The City That Never Sleeps, The City So Nice They Named It Twice. It’s also been called The Lonely City. It can be. But it can also challenge you to look for and accept the many possibilities for connecting with strangers. I’ve been doing this alone thing for a long time. I’ve discovered this is the perfect city for it.
Couldn’t resist this cute place. Just as I snapped the pic, this guy walked by. He was perfect for this illustration.
Washington Square Park usually has some kind of music. These guys set up on the path one summer day and played a long set.
I got an email from someone in Minnesota the other day about driving in the Twin Cities. He sent an article on road construction and the art of merging from two lanes to one. I laughed out loud, remembering the scourge of the Minnesota driver. “Remember the zipper merge,” the article states. “Use both lanes until it’s time to merge.” This means nothing to a Minnesotan. We have our own system – The Minnesota Merge. Use both lanes until its time to merge means MERGE NOW!! Slam on your brakes, wait for a space, and sidle over into the other lane.
Starting at birth, the article goes on, Minnesotans are conditioned to be passive aggressive. Indeed, the zipper merge hasn’t caught on because it appears as if Driver A, by merging, is breaking some unwritten societal rule, and Driver B, who should allow the merge, displays his disapproval of this by not letting Driver A into the lane. It’s all completely understandable to people who grew up in this state.
Visitors to Minneapolis quickly find out that people drive kind of crazy. Another of many unstated rules: “If 30 mph is safe, then 25 is safer!” You creep down the street behind someone like this, and as you approach the intersection, the signal turns yellow and that horse and buggy that was going 25 suddenly floors it and zips through the light. And there you are. There isn’t the degree of honking that there is here in New York, but I don’t think that would make a difference. Minnesota drivers don’t think they’re doing anything wrong.
I’ve driven a bit in New York. Frankly, I like the aggressive stance most people here take. Maybe I’m a New York driver at heart. Driving in downtown Minneapolis traffic, I was aware of the large gap people leave between cars. “Mind the gap, people!!” I’d scold (in the safety of my own car). “Let’s go here!” The gap here in New York can be, oh, 6 inches. Not particularly safe, I agree, but we have to get someplace and of course, didn’t allow ourselves enough time to do it. I am a fan of cars, but I do love the fact that here in New York, lots of people don’t even own one, or for that matter, know how to drive. I can’t picture myself never driving again. I still have my little car, parked in Minneapolis, and when I go back I love the solitude of driving. My coffee, a snack, and my music, which keeps me sane and helps me cope with even the dumbest drivers. By the way, have you ever noticed when you’re going the speed limit it’s a good thing, but when the car in front of you pokes along at the posted speed, he’s an idiot? No, I haven’t either. It’s all good…
The news is making me crazy lately. Apparently it’s affecting other people too, because lately I see a lot of women dressed as clowns. At least I think they’re clowns, I can’t be sure. They seem self assured and they don’t have clown hair, but there’s something about them…it’s a fashion thing.
I remember in the 60’s, our bell bottom pants were so long they’d get caught underneath our platform shoes, causing some nasty headers (not that I would know.) The new clown lady bell bottoms are very, very – extremely – wide, and they’re short. It’s rude to stare, which is why I always wear sunglasses on the train. I saw one of the clowns yesterday. She was standing, as the train was crowded, which gave me a perfect vantage point. Even the most delicate and beautiful ankle appears scrawny and pale in these short, billowy trousers. And insult to injury, they’re always paired with ankle boots or even dress pumps. If these pants could talk they’d scream, “This is just wrong!” Do I sound old and crotchety?
There are so many, um..unusual ways of dressing here in New York. That’s a great thing about this city. Seventh Avenue (Fashion Ave) is right here. I see hundreds of people every day, and I do appreciate self expression through personal attire, tho I mumble snarky stuff (to myself) like, ‘geez, what the hell is that?!’ which old people have been saying forever. I bet Aristotle muttered about kids and the provocative drape of their garments. Every year, new, totally unaffordable and unwearable fashions are paraded out and we (and by we I mean women) toss last year’s Salmon Bisque Pink for this year’s Kelp Green because someone on 7th Avenue said so. And being the age I am, I’ve seen a lot of fashion comings and goings: shoulder pads, leg warmers, fanny packs, Qiana. They all come back again. (Tho I’m skeptical about a return of Qiana.)
No one would mistake me for a fashion icon. I wear stuff I had in high school – and I’m old. I was afraid of the New York fashion scene when I arrived here a couple years ago. I thought the whole city would be totally tricked out, but that’s not the case. You can find everything here, but you don’t have to dress up and most people don’t. As long as it’s black, you’ll fit in. Due to my fortunate love of black and the fact that everything in my closet is black, I’m a real New Yorker.
I’d suggest this mumbling is probably because I don’t dress fun anymore and I really wish I could. I think when you’re over a certain age, you just look kind of nuts when you wear kooky clothes. Trends wax and wane, I will continue to stare and mumble, wearing my skinny black jeans when those in the know advise me to wear clown pants.
Visiting the Natural History Museum with a friend last week, I had to wonder: Is it me or are we all captivated, but slightly creeped out, by elaborate dioramas of long-dead, endangered, animals, posed in an imagined setting? I remember wondering as a kid, “How did they die? Was it painful? Were they caught unaware? Did their eyes meet those of their killers?” All these animals had lives, families and daily routines. Maybe the zebra was hanging around enjoying some arid grassland with his friends, and.. BAM!! His life was over, just like that.
I have a mix of appreciation and innate sadness walking among the formerly alive. The many habitat dioramas, with beautifully painted backgrounds, plant life and extraneous birds and bugs are credited to Carl Akeley, a 19th and early 20th century taxidermist/expeditionist, who came to work at the museum in 1909. Ironically, he created the displays to promote the conservation of those species that he’d killed and placed into the dioramas. My friend liked to visit the large elephant display whenever she came to the Museum, so we headed to the Akeley Hall of African Mammals. The elephants are posed, according to Wikipedia, in a “characteristic ‘alarmed’ formation.” Maybe some vile expeditionist was in sight. Two of the elephants were donated by Akeley’s fellow hunter, Teddy Roosevelt, one a baby calf shot by his son.
The Museum is a massive, rambling and meandering space, a beautiful and eclectic mixture of architectural styles. It is definitely a place most New Yorkers have been to, at least once. My friend and I spent the afternoon wandering, but eventually feeling a little sad, and satiated with elephants and bison, we longed to see something that was still alive and get out into the New York sunshine. Sadly, I do like the beauty of the displays, but find it hard to think about the misery it took for them to get here. Like they say about sausage…if you like eating it, don’t visit a sausage factory.
We headed out onto Columbus Avenue, into the warm sun, and bustling crowd of living creatures.
I have a friend who, while not all that nice, is really a good writer. Everything he writes makes me laugh out loud. Extremely insightful and, frankly, he and I complain, I mean write, about many of the same things. Reading his blog is like reading my own ideas. But getting an email announcement about his latest post sets me off. What the!? I haven’t started a new one yet and he’s got two more out there. I hate that. And they’re always wonderful, of course. I may have to block his emails from now on so I don’t feel so bad about slacking off. It’s hard to come up with ideas sometimes. Many posts just present themselves (I wish they’d also write themselves). But if I haven’t seen anything worth writing about — vomit on a subway platform or SUV stroller wars on a Brooklyn Heights sidewalk — then I anguish. I have anxiety. Because my aim here is to please my devoted readers.
You’ve heard of Minnesota Nice. It’s kind of true, though sometimes it’s just passive-aggressive posing as nice. We aim to please, sometimes at the expense of our own pleasure. Lately I’ve been thinking that I shouldn’t worry so much about being nice — I mean, if someone isn’t happy with me, that’s their problem, right? This morning I butted in a line. Yes, really. I was late and couldn’t wait for the exceedingly large gentleman in front of me to move along. I did make eye contact as I shoved him out of my way. With big Keane eyes and upturned eyebrows, I begged forgiveness, “I’m sorry..!” I mouthed, with all my teeth showing, and I moved along quickly. Hostile yet smiling broadly, scurrying away like the infamous Pizza Rat, avoiding confrontation. I thought about it the rest of the day. I felt bad. I wasn’t nice.
When I was a little girl, my father left. I never knew why, it wasn’t talked about, though in my young mind, it was likely because I wasn’t a nice enough daughter. I did see him several weeks after he left one day when I was outside playing in my front yard. His car drove slowly by, with the window rolled down, and he looked at me. Didn’t wave or stop. I stood there, watching the car as it drove away. You’d cry if you saw it in a movie. Years after as an adult, I made contact and met him at his house. I met his new wife and we all drove down to West Des Moines to visit my step brother, Gene, who I had never heard of and never saw again. I remember he was very nice and I wondered why he lived in West Des Moines.
Of course we’re all formed by good and bad events in our childhood. Maybe I try really hard so people won’t leave me. I’ll continue dispensing tales of my nice and not-so-nice accounts of the city. But I can’t stress about it. I’m going to spend less energy seeking to please strangers (except you, my faithful blog followers.) This is New York…there’s no pleasing it. It doesn’t care about me anyway. This city can make me feel bad, but I know, even if I’m not so nice, it will never leave me.
“You gotta come!” my son-in-law pleaded, referring to the big women’s march down Fifth Avenue to Trump Tower. Frankly, I was planning to be in solidarity with my sisters from the comfort of my cozy apartment. I was not really interested in standing in the cold. And, even as a child of the ’60s, I am not convinced these protests can effect real change.
But I agreed to make a sign as my contribution to the cause. We sat on the fluffy rug in their living room creating our signs from unfolded cardboard boxes. My son-in-law suggested Bad Comb Over and decided that since I’m an artist, I ought to make it. So I wrote Bad Comb Over in black marker with some straggly blonde hairs draped over the O. My work was done, no need to actually march or anything.
Son-in-law had been busy texting, assembling a small, resolute group to convene on 47th and Third Avenue. I was starting to feel a slight pressure to go. A convergence of extraordinarily different people from all over, marching together in fellowship down Fifth Avenue! Geez… I decided I would need to go. I mean, it’s history. I’d stay home and wonder all day long how it was going and why I wasn’t there. Plus, as a mother, I needed to go to keep my daughter from getting crushed in the stampede, like when those nightclubs get crowded and people go crazy. If I was sitting at home and there was a stampede, I would feel really terrible.
The train was overflowing, people carrying signs and men and women wearing pink hats. We got off at Grand Central and walked east toward the march, amid great crowds, tho we were still several blocks from the planned route. We stood on the corner of 45th and Third waiting for our group to arrive and ate a traditional New York breakfast sandwich- The BEC – from a little diner on our corner. It was chilly. Clearly I wasn’t dressed well. We all expected 50 degrees but it was considerably colder than that, and cloudy. But the atmosphere was warm, jubliant. Friends arrived and we headed uptown (meaning we turned to face uptown, but no one was actually moving.) Anyone who dared venture out in their car was going nowhere. Might as well get out and leave it on the street, there was nowhere to go. Streets were closing all over the place, the crowd was on the sidewalks and curb to curb. A great clatter of laughter and chanting and talking filled the streets. We were a giant colorful carpet of bodies, moving inch by inch, well, mostly standing still, but happily chanting, “Hands Too Small! Can’t Build a Wall!” and raising our signs. So many families, dads carrying kids on their shoulders, old people, babies…amazing. A sea of signs waved back and forth, mostly written on cardboard, some looking pretty professional: “Melania: Blink Twice If You Want Us To Save You,” “Super Callous Fascist Racist Extra Braggadocious,” and a 20-something guy, smiling and carrying one that read, “Men Are Overrated.”
The day got long (5+ hours of very slow walking) but it was exhilarating. I’m happy I had a small role in it and got to spend the whole day with my daughter and son-in-law. I’ve never been a part of anything as large and momentous. To me it’s doubtful to have an impact on the people in charge, but as son-in-law stated, “you have to do something!” So we did. And there were no stampedes.
I love New York!
Especially the subways. The train stations are so varied, some scary and filthy, others bright and white with beautiful mosaic work. And that distinct New York City station smell; the dormant, putrid concoction, intensified by excessive and oppressive heat. What is it? Piss, vomit, mold, rotting vermin corpses? But each trip on the train promises new people, new adventures, singers, panhandlers; who knows what awaits me today! Nothing spectacular, just humanity, a connection in a way – superficial, of course, but so satisfying. The rumble of the incoming train makes a plump rat scurry to safety amid the plastic bottles and wrappers. I get on the train, a small part of this amazing crush of humanity. I settle in for my ride….. We’re still here…why aren’t we moving?
Geez I hate this city.
The trains can be so challenging. My F train inexplicably turned into a G train. F’ers get off and wait for the next train. When it arrives, we hurry in, cramming into each nook and cranny of the crowded train. We wait for the doors to close. It’s too long a wait…the doors are still open. I know that’s a bad sign. The conductor soon announces this train is suddenly going Express for reasons not shared with us. My stop will be skipped. We empty out, like a clown car, a hundred people piling out of the train. But these New Yorkers are not grumbling. It’s just the way it is. I’m from Minneapolis so I am grumbling (inwardly so no one suspects I’m not from here) and I decide to head outside to do who knows what. I just know I’m frustrated!! Now it’s raining lightly, I’ve been at this station for 15 minutes. I stand outside in the rain. The day is dark, even though it’s late morning, and I’m annoyed. I’m talking to myself, gesturing and muttering. I will no longer judge those scary looking people in Union Square, mumbling and muttering aloud. They may be F train riders. I soon realize that I have no options. I go back down (and pay another fare) and wait for another train.
The F train arrives at last. It’s packed, but all is well..my ride into The City is quick, quiet and uneventful, normal. I arrive on 23rd and Sixth Avenue and it’s now raining steadily and seems even darker. Headlights are on, umbrellas up, heads down, braced against the blustery wind. It violently flips umbrellas inside out. (At least those poor, unfortunate souls with cheap, CVS umbrellas. Don’t ask me how I know this. ) I duck into a store, away from the wind, trying to salvage my umbrella.
My errands completed, I walk to the train to head back to Brooklyn. This trip would have taken 45 minutes in Minneapolis, back home in less than an hour, parking in my building’s climate-controlled garage. Ahh, Minneapolis – it’s so easy. They should use that as the state motto.
One block to go, swapping my heavy bag from one shoulder to the other while trying to steady my umbrella, the rain is slowing to a spittle. The wind that once affronted now shoos the low hanging clouds quickly away. Brilliant sunlight emerges, blue sky, the rain refreshed the city. Umbrellas come down. Cabs begin to honk, headlights go off, we are all alive again, bustling here and there. It’s dazzling! And that smell… that evocative, fresh, earthy rain on the pavement.
What a beautiful day. What a beautiful city!
Working as a background extra in New York City is really glamorous.
Last week, for example, I had to get to midtown at 5 am to catch a charter bus to Long Island. It’s amazing how much activity is around at that hour of the morning. We will be shooting some scenes for a tv series.
50 minutes later we are in a quiet, residential area with very large lawns and brick fences. We check in to the holding tent, get our wardrobe, report to hair and makeup, and then hang around in this big, hot tent for the next 4 hours. (Bonus: tons of free food and drink!!) After awhile some of us head to set, which today is the front lawn of a mansion. The house sits back from the water and a huge lawn leads down to the bay. A few sailboats drift slowly by. It’s very picturesque, tho we are not allowed to take any photos. The morning is beautiful but already very hot. In the 80s and it’s only 10:00. A large white wedding tent is set up on the lawn. There are white tables with white tablecloths and ‘champagne’ flowing from little fountains. The Production Assistant eventually assigns our starting point, a makeup artist rushes to refresh hair, droopy in the 80 degree heat. The show’s stars are cooled with battery fans and protected by umbrellas so nary a sweat mark will be seen. We are all in our places, dressed for another era, a previous century where they wore powder blue polyester.
“Background! First positions,” the P.A. calls. My ‘husband’ and I stroll slowly, arm in arm, among the partygoers, silently greeting our guests. We walk to the other side of the tent, and head back to the beginning. “Cut! Ok..regroup at first position.” We stroll, smiling, nodding, along our same path. “Cut! Regroup at first position.” We stroll, we smile, we wave, we raise our glasses. “Cut!”….
I could go on, but you get the picture.
I’m wearing a polyester pantsuit and shoes with teeny heels that sink in the grass. I step and sink. I have to pick grass and dirt off the little heels. We are all very, very hot. The temperature is now in the 90s and we are wearing clothes that stick to our skin. But we’re all happy to be here.
Many hours of strolling and smiling later, of hanging out and eating huge amounts of carbs, the light is quickly fading and we hear those three little words, “That’s a wrap!” We head back to holding, our tent away from home. We’ve had a 10 hour day. We are all happy with the day, chatty and full of energy. But mostly, we are so excited to put away [burn on a giant pyre] the polyester suits we’ve lived in for the past two days.
We wait in line to check out, get forms signed for our lavish paycheck, and return our clothes to Wardrobe. Street clothes on, our space cleaned up, (grab some last-minute snacks), we eventually get on the bus for a quiet evening ride back to the city. The chatter and gaiety of today behind us, we retreat back into the 21st century, our phones, into our own spaces. It’s dark outside and peaceful and quiet in the bus. Perhaps many of us will see each other again – maybe in some other era, some other century.
So what makes this worthwhile? The enormous minimum wage ‘background talent’ get for a 10+ hour day? Maybe it’s the remarkable allure of being a tiny part of ‘show business.’ I think what makes it worthwhile is what we all give to it. We show up – sometimes at 5 am – knowing we may be thoroughly bored for hours, the day might be long and tedious at times, but we will also meet interesting people and enjoy a day filled with fun, food and surprises. Most of all, we all have a great time. I gotta go now, I have to get up at 4 am to do it all over again.